Daniel Pittet — Brand Design & Corporate Identity

A photographer, an archive, a global shop.

Client
Daniel Pittet
Sector
Art & Culture · Photography
Market
CH Ticino
Year
2025
Services
Brand Design & Corporate Identity
UI/UX & Web Development

Daniel Pittet is a Swiss photographer, self-taught, recognised, collected. His online image, however, didn't do justice to his work: he needed a coherent brand, an editorial website and a fine art print sales system able to ship worldwide, without going through an email exchange.

Daniel Pittet, A photographer, an archive, a global shop.
The context

An archive of value, with no container.

Daniel's work, nature, architecture, travel reportage, has a Swiss rigour and a depth that his old online identity failed to convey, and every print request was handled manually: not sustainable on an international scale. He asked us for a brand that gave back his professional signature and a website that was at once an editorial portfolio and a fully operational fine art shop worldwide.

Daniel Pittet, homepage of the photography portfolio
The work

Functional minimalism, not decorative.

Logo and visual system built around three words: professionalism, Swiss rigour, attention to detail. A minimal website where the image dominates and the layout disappears, with integrated eCommerce: catalogues and categories, print variants with multiple formats and supports, international payments, worldwide shipping partners, post-purchase automations and a dedicated section for travel reportage.

Daniel Pittet, detail from a photographic collection
Daniel Pittet, layout of the editorial gallery
Daniel Pittet, featured image from the travel reportage

The form of the site had to disappear in front of the photography. Our job was to build the space, not fill it.

Project UX principle
Daniel Pittet, view of the fine art collection on the website
Daniel Pittet, print product detail with format variants
Daniel Pittet, grid of a photographic series
Today

An author digitised, without losing authorship.

The photographer keeps shooting, the system sells and ships autonomously, the reportage is browsable like a book. The technology is there but invisible, which is exactly how it should be.

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